“Since 1977, when Cindy Sherman first exhibited her “untitled film Stills” of fictional B-movie starlets, she has surrendered herself to photographic portraits of nearly every female archetype imaginable. So completely does the artist disappear into her subjects—disheveled fashion victims, art-historical icons, tragic dowagers, manic clowns, Beverly Hills housewives—that it’s hard to believe they are all the same woman.” by Linda Yablonsky for the Wall Street Journal (2/26.2012)
