Read the Press for “Occupy Art Basel Miami Beach, Now!”

December 6, 2011

Read the waterfall of press for my article: “Occupy Art Basel Miami Beach, Now!” Read the good, the bad, and the indifferent from The New York, Times, The Wall Street Journal, The New York Post, The New York Observer, W Magazine, Departures, The Spectator, Artinfo.com, Artforum, The Art Newspaper, and Le Quotidien de l’Art.

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn. She was 83.

Her longtime assistant, Maureen St. Onge, said Ms. Frankenthaler died after a long illness but gave no other details.

 

A season that pops
By Ben Crandell

On Sept. 23, 1973, international ballet star Edward Villella appeared, playing himself, on the prime-time ABC sitcom "The Odd Couple," the neatnik-vs.-slob farce based on the Neil Simon play. The premise of the episode had Villella teaching the show's stars, played by stage and film veterans Tony Randall and Jack Klugman, how to dance to Tchaikovsky's "Swan Lake." With a wink to a notorious X-rated movie of the era, the episode was titled "Last Tango in Newark."

Within that heap of middle-brow popular culture, two words stand out: Edward Villella?

By Aviglucci@MiamiHerald.com

A nonprofit developer armed with a multi-million grant aims to transform Opa-locka’s notorious Triangle into a family-friendly neighborhood by renovating vacant housing, building parks and installing public art.

 

A nonprofit developer plans to transform Opa-locka's notorious Triangle into a family-friendly neighborhood by renovating homes and apartments, installing playgrounds and public art, as depicted in this artist's rendering. Opa-Locka Community Development Corp.

Can a few million dollars, a public art project and a bold redevelopment plan reverse the sliding fortunes of one of South Florida’s toughest neighborhoods?

We’re about to find out.

 

 

Armed with a hefty federal grant and outsize ambition, developer and former politician Willie Logan has embarked on a mission of unusual, if not unprecedented, scope: To transform the entirety of Opa-locka’s notorious Triangle, once among the most violent and drug-soaked spots of Miami-Dade County, into a model, family-friendly urban neighborhood.

10 years of drawing inspiration from the Everglades

By Tom Austin
The Miami Herald

Artists long have looked at the Everglades with wonder. Over time, realistic portrayals of its spectacular landscapes — including the photography of local Clyde Butcher — have given way to contemporary abstraction and performance art inspired by the River of Grass and the modern pressures facing it and, metaphorically, the world beyond.

Read more here: http://www.miamiherald.com/2011/12/18/2549737/10-years-of-drawing-inspiration...

Developer Jorge Pérez is saddened by the controversy surrounding his $35 million naming gift to the MAM 

620 Greenwich Street, near Leroy Street, West Village

Through Saturday

“Dancer,” Dara Friedman’s mesmerizing, loose-limbed 25-minute ode to the seemingly extensive, fabulously multicultural dance talent of Miami, extends her longstanding interest in performance, urban space and structuralist film. Unfolding predominantly in fluid tracking shots, it captures some 60 performers in about 40 segments as they dance, singly or in pairs, during the day or at night, along the city’s sidewalks, in its parks and parking garages, and occasionally on its beaches.

Flamenco, ballet, modern, break, pole, belly, musical-theater and ballroom dancing are robustly represented, as are skateboarding and voguing. The use of grainy, no-fuss black-and-white underscores the improvisational air, as does the way the dubbed music is not always completely in sync with the dancers’ movements. Sometimes the sounds of their breathing, as well as of passing traffic, increase the impression of being there, in the flow. And occasionally Ms. Friedman dramatizes a dance style by changing the camera speed.

Co-produced by the Miami Art Museum and Gavin Brown’s Enterprise, “Dancer” was presented on an immense screen outside the New World Center in Miami on Nov. 30, the night before Art Basel Miami Beach opened. At Mr. Brown’s gallery it covers a very large wall in a space carpeted in black, which highlights its silvery lights and darks. Inspired by Pina Bausch (1940-2009), whose penchant for constant motion it echoes, Ms. Friedman’s tribute to the human body as an expressive instrument also recalls the evocative title of Edwin Denby’s 1965 collection of dance criticism, “Dancers Buildings and People in the Streets.”

 

"Mademoiselle Pogany II" (1919) by Constantin Brancusi. The sculpture, made of veined marble on limestone and wood bases, is among the Modern works in the Ronald S. Lauder Collection. Source: Neue Galerie via Bloomberg

By Lance Esplund - Dec 14, 2011 1:38 PM ET

While a distracted art world picked over Art Basel Miami Beach, a real estate developer got the biggest bargain next door.

I mean Jorge M. Perez. For a mere $35 million gift in cash and art he got the Miami Art Museum to change its name to the Jorge M. Perez Art Museum of Miami-Dade County....